• Coining a wishing tower – Ayesha Raees

    Coining a wishing tower – Ayesha Raees

    Coining a Wishing Tower is a meditation on death and the afterlife—and the irresistible pull between the two.

    “In the end, living is dying many times in one singular life,” writes Ayesha Raees, inviting you to consider the departures that make up one lifetime. The splintering of a voice from domestic life, the defiance of wisdom leaving childhood behind, the egress from one’s country of birth, and the non-permanence of life and inanimate objects become the rich pasture for the hybrid epic poems in this collection. 

    Through investigation of family, faith, empire, and desire, Raees sutures together parables, both real and imagined, as concrete prose-poems of chronicle and whimsy. Imagination here is populated by House Mouse running towards “the end of all possible height,” Godfish swimming in “an aquarium sea,” oblivious to the moon’s infatuation, and a cat, helplessly in love with Godfish. Nestled among them is the speaker: a daughter who desires to leave, an alien who wishes to hang herself on a wound in New York City, a philosopher who coos, “The bare minimum to life… is to just live.”

    With precise instincts and the sweeping ambition of a fable-maker, a bright new voice marks her debut in American poetry.

     

    Ayesha Raees عائشہ رئیس
    is a poet and artist identifying as a hybrid creating hybrid poetry through hybrid forms. Her work strongly revolves around issues of belonging and dislocation, G/god and spirituality, and beauty::cruelty while possessing a strong agency for decolonial, anti-violence, and anti-erasure practices.  She edits poetry at The Margins and has been endorsed by the Asian American Writers’ Workshop, Kundiman, UNESCO, and others. Her first book, Coining a Wishing Tower, won the Broken River Prize and was published by Radix in 2024. She is based in New York City and Lahore, Pakistan (and many other unsettled spaces).